
Max Slevogt, the famous German impressionist, is celebrated by his contemporaries as the “king of illustration.” This special exhibition is the first to focus intensively on his unique collaboration with Bruno Cassirer, Berlin's most influential publisher during the Weimar Republic, which established his reputation. The majority of Slevogt's extensive and highly innovative illustrations were published by this publishing house. The presentation is based on largely unpublished correspondence, which provides numerous new insights into their success story, contemporary history, their network, and the personal relationship between these two outstanding personalities.
Max Slevogt, Harness Racing, 1907
Max Slevogt, layout book for Ali Baba and the Forty Thieves
Max Slevogt, To Turn the Lower Lake into the Upper Lake, c. 1924−1926
Max Slevogt, Camel Riders, 1924
Max Slevogt im Romanischen Café, um 1930
Max Slevogt, Salmon Still Life or Cut Salmon, 1923
Benvenuto Cellini, Book edition, 1913
Max Slevogt, from: King Thrushbeard, 1922
Max Slevogt, Reineke discovers the painter Mandrillo, 1928
Max Slevogt, The Torment of Hell,1924
Max Slevogt, Blown-up building in Lille in the Evening, 1914
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