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Max Slevogt, the famous German impressionist, is celebrated by his contemporaries as the “king of illustration.” This special exhibition is the first to focus intensively on his unique collaboration with Bruno Cassirer, Berlin's most influential publisher during the Weimar Republic, which established his reputation. The majority of Slevogt's extensive and highly innovative illustrations were published by this publishing house. The presentation is based on largely unpublished correspondence, which provides numerous new insights into their success story, contemporary history, their network, and the personal relationship between these two outstanding personalities.

Horses dissolving into brushstrokes

Max Slevogt, Harness Racing, 1907

From drawing to book

Max Slevogt, layout book for Ali Baba and the Forty Thieves

180,000 lithographs

Max Slevogt, To Turn the Lower Lake into the Upper Lake, c. 1924−1926

The publishing programme

Max Slevogt, Camel Riders, 1924

Regulars’ table in the café

Max Slevogt im Romanischen Café, um 1930

Bestseller

Max Slevogt, Salmon Still Life or Cut Salmon, 1923

The best printer in Paris

Benvenuto Cellini, Book edition, 1913

The price of art

Max Slevogt, from: King Thrushbeard, 1922

Reineke Fuchs and Slevogt’s Humour

Max Slevogt, Reineke discovers the painter Mandrillo, 1928

Shadows and Dreams

Max Slevogt, The Torment of Hell,1924

War Diary

Max Slevogt, Blown-up building in Lille in the Evening, 1914

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