Self-portraits, self-staging and slipping into other roles are particularly relevant to Pablo Picasso's late work. "Homme assis" from 1970 is indeed an impressive example of his artistic development and his examination of his own self. In this phase of his work, Picasso experimented intensively with different identities and forms of expression, which is clearly reflected in his countless self-portraits.
The depiction of a painter seated on a throne with an implied Dutch headdress, which emphasizes the powerful pose and claw-like hands through dynamic brushstrokes, is not only an expression of his artistic energy, but also a deeper reflection on aging and the endurance of his creative power. Both the headdress and the powerful pose emphasize the connection to a long tradition in portraiture. In his self-portraits, Picasso slips into various historical roles that above all radiate strength and vitality, such as the matador or musketeer.
With this painting, the 89- year-old Picasso shows his tireless determination to preserve, develop and redefine his artistic and independent voice. He paints against age.
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